{"id":925,"date":"2014-01-16T04:13:01","date_gmt":"2014-01-16T04:13:01","guid":{"rendered":"http:\/\/mughalarchitecture.com\/?page_id=925"},"modified":"2014-01-30T17:48:50","modified_gmt":"2014-01-30T17:48:50","slug":"books-history-of-decorative-art-in-mughal-architecture","status":"publish","type":"page","link":"https:\/\/mughalarchitecture.com\/?page_id=925","title":{"rendered":"Books >> History of Decorative art in Mughal Architecture"},"content":{"rendered":"<table id=\"AutoNumber2\" width=\"780\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\">\n<table id=\"AutoNumber3\" width=\"780\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"540\">\n<div align=\"center\"><center><\/p>\n<table id=\"AutoNumber6\" width=\"90%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\"><span style=\"color: #996633; font-family: Verdana; font-size: large;\">HISTORY OF DECORATIVE ART IN MUGHAL ARCHITECTURE<br \/><\/span><span style=\"color: #666633; font-family: Verdana;\">PROF. R. NATH<\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Verdana; font-size: small;\"><a href=\"?page_id=14\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/mughalarchitecture.com\/index_files\/b29.jpg\" width=\"131\" height=\"200\" align=\"right\" border=\"0\" hspace=\"7\" vspace=\"7\" \/><\/a><\/span><\/p>\n<p align=\"justify\">\u00a0<\/p>\n<p align=\"right\">\u00a0<\/p>\n<p>Pp.23+189,<br \/>161 halftone plates,<br \/>\u00a014 figures,<br \/>5 appendices and a bibliography<\/p>\n<p>&nbsp;<\/p>\n<p align=\"justify\"><span style=\"font-family: Verdana; font-size: small;\">\u00a0<\/span><\/p>\n<p align=\"justify\">\u00a0<\/p>\n<p align=\"justify\"><span style=\"font-family: Verdana; font-size: small;\">It is an intensive study of the origin and development of the &#8216;ORNAMENT&#8217; in Mughal Architecture. It is the &#8216;BEAUTIFUL&#8217; which is the most distinctive characteristic and dominating theme of this style and it is this which primarily occupied contemplation of the Mughal builders, from Akbar to Shah Jehan. The Mughals worked out the minutest details of the structure and the surface, and adopted almost all the decorative schemes, designs and motifs which were then known in the Orient. They used ancient Indian decorative technique of stone carving and sculpture and, also freely, utilized such color schemes as glazed-tiling, painting, stucco. mosaic and inlay.<\/span><\/p>\n<p>The Mughal decorative art is not an expression in isolation, it is a link in the continuous growth of the art of the Land, and the People. The book explains scores of obscure and controversial points and corrects the popular misnomers: it throws light on little known facts, e.g. the use by the Mughals of fabulous animals, Tantric symbols and Chinese cloud-forms.<\/p>\n<p align=\"justify\"><span style=\"font-family: Verdana; font-size: small;\">It is essentially a study of &#8216;motifs&#8217; and &#8216;designs&#8217; of\u00a0Mughal Architecture.\u00a0<\/span><\/p>\n<p><span style=\"color: #006600;\">Chapters :<\/span><\/p>\n<p>1. Depiction of Symbolic Motifs in Mughal Architecture<br \/>2. Absorption of Typically Islamic Elements in Mughal Architecture<br \/>3. Usage of Animate Motifs in Mughal Architecture<br \/>4. Chinese Cloud forms and the Dado-Art of the Mughals<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><\/center><\/div>\n<\/td>\n<td valign=\"top\" width=\"240\">\n<table id=\"AutoNumber4\" width=\"240\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"100%\">\n<map name=\"FPMap1\">\n<area alt=\"School of Mughal Architecture\" coords=\"65, 48, 184, 79\" shape=\"rect\" href=\"?page_id=487\" \/>\n<area alt=\"Consultancy for Mughal Architecture\" coords=\"80, 83, 169, 101\" shape=\"rect\" href=\"?page_id=498\" \/>\n<area alt=\"MARBLE PLAQUES OF MUGHAL ARCHITECTURE\" coords=\"73, 26, 179, 41\" shape=\"rect\" href=\"?page_id=484\" \/>\n <\/map>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/mughalarchitecture.com\/index_files\/right.jpg\" usemap=\"#FPMap1\" width=\"240\" height=\"129\" border=\"0\" \/><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"100%\">\n<p align=\"center\"><a href=\"?page_id=536\"><span style=\"text-decoration: underline;\"><b><span style=\"color: #ff0000; font-family: Verdana; font-size: small;\">Payment Options<\/span><\/b><\/span><\/a><\/p>\n<p align=\"center\"><a href=\"?page_id=14\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/mughalarchitecture.com\/index_files\/rightinlay74.jpg\" width=\"200\" height=\"516\" border=\"0\" \/><\/a><\/p>\n<p align=\"center\"><a href=\"?page_id=536\"><span style=\"text-decoration: underline;\"><b><span style=\"color: #ff0000; font-family: Verdana; font-size: small;\">Payment Options<\/span><\/b><\/span><\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\">\n<p align=\"center\"><span style=\"font-family: Verdana; font-size: small;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/mughalarchitecture.com\/index_files\/bottom.jpg\" width=\"780\" height=\"36\" border=\"0\" \/><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>HISTORY OF DECORATIVE ART IN MUGHAL ARCHITECTUREPROF. R. NATH \u00a0 \u00a0 Pp.23+189,161 halftone plates,\u00a014 figures,5 appendices and a bibliography &nbsp; \u00a0 \u00a0 It is an intensive study of the origin and development of the &#8216;ORNAMENT&#8217; in Mughal Architecture. It is the &#8216;BEAUTIFUL&#8217; which is the most distinctive characteristic and dominating theme of this style and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-925","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/pages\/925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=925"}],"version-history":[{"count":4,"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/pages\/925\/revisions"}],"predecessor-version":[{"id":1212,"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/pages\/925\/revisions\/1212"}],"wp:attachment":[{"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}