{"id":810,"date":"2014-01-13T07:47:10","date_gmt":"2014-01-13T07:47:10","guid":{"rendered":"http:\/\/mughalarchitecture.com\/?page_id=810"},"modified":"2014-02-08T08:20:23","modified_gmt":"2014-02-08T08:20:23","slug":"books-calligraphic-art-in-mughal-architecture","status":"publish","type":"page","link":"https:\/\/mughalarchitecture.com\/?page_id=810","title":{"rendered":"Books >> Calligraphic Art in Mughal Architecture"},"content":{"rendered":"<table id=\"AutoNumber2\" width=\"780\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\">\n<table id=\"AutoNumber3\" width=\"780\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"540\">\n<div align=\"center\"><center><\/p>\n<table id=\"AutoNumber6\" width=\"90%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\">\n<p align=\"justify\"><span style=\"color: #0000ff;\"><span style=\"font-family: Verdana; font-size: large;\">CALLIGRAPHIC ART IN MUGHAL ARCHITECTURE<br \/> <\/span><span style=\"font-family: Verdana;\">PROF. R. NATH<\/span><\/span><span style=\"font-family: Verdana; font-size: small;\"><br \/> <a href=\"?page_id=14\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/mughalarchitecture.com\/index_files\/b25.jpg\" width=\"234\" height=\"150\" align=\"right\" border=\"0\" hspace=\"7\" vspace=\"7\" \/><\/a><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Verdana; font-size: small;\">Pp.14+68, Halftone plates 8, figures 7, and 8 plans denoting locus of Epigraphs in Mughal monuments, 13 original Persian texts<\/span><\/p>\n<p>It is study of the Persian Inscriptions of Mughal monuments of Fatehpur Sikri, Agra and Delhi (1526 to 1658) and their Calligraphic Art. It is one of the most distinctive characteristics of Mughal Architecture and constitutes the most authentic record of Mughal history from Akbar to Shah Jehan which neither man nor Time can forge, pollute or alter.<\/p>\n<p>The ornamental curves of these beautiful inscriptions in carved, painted and mosaic schemes, may open up vistas of meaningful data which would be of immense value for writing cultural history of the period to which they belong and its predominant trends and currents. Primarily, it is the evaluation of the raison d&#8217;etre of the Calligraphic Art in Mughal Architecture, if it was merely or mostly ornamental like its Iranian counterpart, or a historical document too. A thorough historical background of the art of writing (khattati) as it grew and developed in such prominent styles as Kufic, Naskhi and Nastaliq in Iran and India has been given.<\/p>\n<p><span style=\"color: #ff0000;\">Chapters :<\/span><\/p>\n<p>1. Origin of the Art of Writing in Islam, Arabic Script, The Kufic, Artistic<br \/>\u00a0 \u00a0 Compositions of the Script, The Naskhi, The Nastaliq and Shikasta<br \/> 2. Inscriptional Art in Iran<br \/> 3. Inscriptional Art in Pre-Mughal India<br \/> 4. Art of Writing in Mughal Court, Inscriptional Art in Monuments of<br \/>\u00a0 \u00a0 Fatehpur Sikri, Inscriptions of Tomb of Akbar Sikandara, Inscriptions<br \/>\u00a0 \u00a0 of Itimad-ud-Daulah, Inscriptions of Shah Jehan&#8217;s Palatial Mansions<br \/>\u00a0 \u00a0 and Mosques, Inscriptions of Taj Mahal, Mughal Inscriptional Art in<br \/>\u00a0 \u00a0 Retrospect<\/p>\n<p align=\"justify\"><span style=\"font-family: Verdana; font-size: small;\">18 appendices giving English translations of Mughal Inscriptions<br \/> 13 original Persian texts of Mughal Inscriptions<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><\/center><\/div>\n<\/td>\n<td valign=\"top\" width=\"240\">\n<table id=\"AutoNumber4\" width=\"240\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"100%\">\n<map name=\"FPMap1\">\n<area alt=\"School of Mughal Architecture\" coords=\"65, 48, 184, 79\" shape=\"rect\" href=\"?page_id=487\" \/>\n<area alt=\"Consultancy for Mughal Architecture\" coords=\"80, 83, 169, 101\" shape=\"rect\" href=\"?page_id=498\" \/>\n<area alt=\"MARBLE PLAQUES OF MUGHAL ARCHITECTURE\" coords=\"73, 26, 179, 41\" shape=\"rect\" href=\"?page_id=484\" \/>\n <\/map>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/mughalarchitecture.com\/index_files\/right.jpg\" usemap=\"#FPMap1\" width=\"240\" height=\"129\" border=\"0\" \/><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"100%\">\n<p align=\"center\"><a href=\"?page_id=536\"><span style=\"text-decoration: underline;\"><b><span style=\"color: #ff0000; font-family: Verdana; font-size: small;\">Payment Options<\/span><\/b><\/span><\/a><\/p>\n<p align=\"center\"><a href=\"?page_id=14\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/mughalarchitecture.com\/index_files\/rightinlay60.jpg\" width=\"200\" height=\"551\" border=\"0\" \/><\/a><\/p>\n<p align=\"center\"><a href=\"?page_id=536\"><span style=\"text-decoration: underline;\"><b><span style=\"color: #ff0000; font-family: Verdana; font-size: small;\">Payment Options<\/span><\/b><\/span><\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\">\n<p align=\"center\"><span style=\"font-family: Verdana; font-size: small;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/mughalarchitecture.com\/index_files\/bottom.jpg\" width=\"780\" height=\"36\" border=\"0\" \/><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>CALLIGRAPHIC ART IN MUGHAL ARCHITECTURE PROF. R. NATH Pp.14+68, Halftone plates 8, figures 7, and 8 plans denoting locus of Epigraphs in Mughal monuments, 13 original Persian texts It is study of the Persian Inscriptions of Mughal monuments of Fatehpur Sikri, Agra and Delhi (1526 to 1658) and their Calligraphic Art. It is one of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-810","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/pages\/810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=810"}],"version-history":[{"count":5,"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/pages\/810\/revisions"}],"predecessor-version":[{"id":1288,"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/pages\/810\/revisions\/1288"}],"wp:attachment":[{"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}