{"id":804,"date":"2014-01-13T07:45:48","date_gmt":"2014-01-13T07:45:48","guid":{"rendered":"http:\/\/mughalarchitecture.com\/?page_id=804"},"modified":"2014-02-08T06:42:40","modified_gmt":"2014-02-08T06:42:40","slug":"books-colour-decoration-in-mughal-architecture","status":"publish","type":"page","link":"https:\/\/mughalarchitecture.com\/?page_id=804","title":{"rendered":"Books >> Colour Decoration in Mughal Architecture"},"content":{"rendered":"<table id=\"AutoNumber2\" width=\"780\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\">\n<table id=\"AutoNumber3\" width=\"780\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"540\">\n<div align=\"center\"><center><\/p>\n<table id=\"AutoNumber6\" width=\"90%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\">\n<p style=\"text-align: center;\" align=\"left\"><strong><span style=\"color: #3366ff; font-family: Verdana; font-size: large;\">COLOUR DECORATION IN MUGHAL ARCHITECTURE<br \/> (India &amp; Pakistan)<\/span><\/strong><span style=\"font-family: Verdana; font-size: small;\"><br \/> <\/span><strong><span style=\"color: #666633; font-family: Verdana;\">PROF. R. NATH<\/span><\/strong><span style=\"font-family: Verdana; font-size: small;\"><br \/> <a href=\"?page_id=14\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/mughalarchitecture.com\/index_files\/b23.jpg\" width=\"236\" height=\"150\" align=\"right\" border=\"0\" hspace=\"7\" vspace=\"7\" \/><\/a><\/span><\/p>\n<p style=\"text-align: left;\" align=\"right\"><span style=\"font-family: Verdana; font-size: small;\">Pp.12+140, Halftone 106 and 8 color plates<\/span><\/p>\n<p>\u00a0\u00a0<\/p>\n<p>This is study of such colour schemes and modes as Glazed-tiling, Stucco and mural Painting, and stone Inlay and Mosaic (including Glass Mosaic) used for architectural decoration in Mughal buildings from Akbar to Shah Jehan (1556-1658), with a thorough historical background. It traces the origin of each art to the remotest antiquity and interprets the hitherto obscure techniques and styles with a view to identify the sources of inspiration and to define the colourfulness of Mughal Architecture.<\/p>\n<p><span style=\"color: #006600;\">Chapters :<\/span><\/p>\n<p>1. Introduction<\/p>\n<p>2. Glazed Tile Decoration &#8211; Architectural Decoration, Ancient Egypt,<br \/> Ancient Mesopotamia, Ancient Persia, Islamic Iran, Medieval India,<br \/> Multan and Sindh, Kashi-Kari and its Preparation, Delhi Sultanate,<br \/> Man Mandir Gwalior, Chini-Ka-Rauza, Picture Wall of Lahore Fort.<\/p>\n<p>3. Mosaic, Inlay and Glass-Mosaic &#8211; Early References, Roman Mosaics,<br \/> Early Christian and Byzantine Mosaics in Glass, Muslim Mosaics,<br \/> Mosaic in India, Tessellated and Inlaid Mosaics, Inlay at Ranpur<br \/> Temple, Akbar&#8217;s Tomb Sikandara, Tomb of Itimad-ud-Daulah,<br \/> Buildings of Shah Jehan, The Shish Mahal<\/p>\n<p>4. Stucco and Architectural Painting &#8211; Ancient Egypt, Ancient<br \/> Mesopotamia, Arts of Greeks, The Alexandrian School, Roman Art of<br \/> Painting, Ajanta and Bagh, Technique and Material, Indo Muslim<br \/> Monuments, Fatehpur Sikri, Jehangiri Mahal, Tomb of Akbar, Tomb of<br \/> Itimad-ud-Daulah, Buildings of Shah Jehan, Mughal Intonaco and the<br \/> Pigments<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><\/center><\/div>\n<\/td>\n<td valign=\"top\" width=\"240\">\n<table id=\"AutoNumber4\" width=\"240\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"100%\">\n<map name=\"FPMap1\">\n<area alt=\"School of Mughal Architecture\" coords=\"65, 48, 184, 79\" shape=\"rect\" href=\"?page_id=487\" \/>\n<area alt=\"Consultancy for Mughal Architecture\" coords=\"80, 83, 169, 101\" shape=\"rect\" href=\"?page_id=498\" \/>\n<area alt=\"MARBLE PLAQUES OF MUGHAL ARCHITECTURE\" coords=\"73, 26, 179, 41\" shape=\"rect\" href=\"?page_id=484\" \/>\n <\/map>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/mughalarchitecture.com\/index_files\/right.jpg\" usemap=\"#FPMap1\" width=\"240\" height=\"129\" border=\"0\" \/><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"100%\">\n<p align=\"center\"><a href=\"?page_id=536\"><span style=\"text-decoration: underline;\"><b><span style=\"color: #ff0000; font-family: Verdana; font-size: small;\">Payment Options<\/span><\/b><\/span><\/a><\/p>\n<p align=\"center\"><a href=\"?page_id=14\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/mughalarchitecture.com\/index_files\/rightinlay55.jpg\" width=\"200\" height=\"591\" border=\"0\" \/><\/a><\/p>\n<p align=\"center\"><a href=\"?page_id=536\"><span style=\"text-decoration: underline;\"><b><span style=\"color: #ff0000; font-family: Verdana; font-size: small;\">Payment Options<\/span><\/b><\/span><\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\">\n<p align=\"center\"><span style=\"font-family: Verdana; font-size: small;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/mughalarchitecture.com\/index_files\/bottom.jpg\" width=\"780\" height=\"36\" border=\"0\" \/><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>COLOUR DECORATION IN MUGHAL ARCHITECTURE (India &amp; Pakistan) PROF. R. NATH Pp.12+140, Halftone 106 and 8 color plates \u00a0\u00a0 This is study of such colour schemes and modes as Glazed-tiling, Stucco and mural Painting, and stone Inlay and Mosaic (including Glass Mosaic) used for architectural decoration in Mughal buildings from Akbar to Shah Jehan (1556-1658), [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-804","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/pages\/804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=804"}],"version-history":[{"count":5,"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/pages\/804\/revisions"}],"predecessor-version":[{"id":1270,"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=\/wp\/v2\/pages\/804\/revisions\/1270"}],"wp:attachment":[{"href":"https:\/\/mughalarchitecture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}